Section Ⅲ Writing
Part A
51.［參考樣文］
Lost
A 90% new mobile phone of Nokia 3608 with color screen and silver gray case was found missing yesterday(Friday,Nov.12).On the back of the phone case are carved my initials “LM”.
Possibly I left it in the Reading Room 2 of our college library,where I was writing my papers yesterday morning,or maybe I dropped it in the Post Office on campus when I mailed a parcel in the afternoon.
Anyone who found it,or has information about it,is requested to contact me at XXXX XXXX.The finder will be offered a handsome reward of gratitude on returning the phone.
Thank you for your attention to this notice.
Li Ming
Part B
52.［參考樣文］
The picture presents a real traffic scene in which endless columns of vehicles have jammed the road,making movement impossible.Much valuable time is wasted and many important businesses are delayed in the helpless waiting for progress.Its no exaggeration to say that the inconvenience and losses caused by traffic jams are inestimable.
Traffic problem is an inescapable outcome of social and economical development,and therefore is common to most capital cities all over the world.The accelerated urbanization,the rapid increase of private cars,and the lag of road construction are responsible for traffic congestion.
As the traffic problem involves many factors,there is no single measure that can solve it once for all.For the present,realistic solutions may include:
To give priority to improving and developing masstransit system,both ground and underground;
To set up proper limits to private vehicles;
To perfect traffic regulations and management,and
To advocate bicycling or walking between home and office.
However,any successful resolution of the problem depends not so much on public concerns and appeals as on the initiative and determination of the local municipal administrations.
Model Test 5 重點(diǎn)閱讀文章參考譯文
Text 3
有時(shí)候我們聽(tīng)人說(shuō)散文形式過(guò)時(shí)，某某是“最后的散文家”，不過(guò)圖書(shū)市場(chǎng)卻是另外一幅景象。幾乎任何類別的散文都比短篇小說(shuō)好賣，也更容易變成鉛字。奇怪的是，市面上能找到兩套精美的本年度最佳小說(shuō)集，而同類的散文集卻不見(jiàn)上市。不用說(shuō)，公眾口味的這個(gè)變化不見(jiàn)得就是好事。講故事肯定比巖洞繪畫(huà)出現(xiàn)得更早；如果我們退回巖洞生活時(shí)代，講故事(繪畫(huà)和擊鼓)也許是碩果僅存的藝術(shù)形式，而電影、小說(shuō)、攝影、散文、傳記和其他藝術(shù)形式統(tǒng)統(tǒng)都不復(fù)存在了。
散文應(yīng)該懸掛在兩個(gè)堅(jiān)固定點(diǎn)之間的連線上：一端是我怎樣想的，另一端是我是誰(shuí)。自傳不是小說(shuō)，它們通常延伸了散文。個(gè)人散文就像人類在說(shuō)話，它不是系統(tǒng)化的思想表達(dá)，而是大腦思緒的真實(shí)反映。散文比文章和論文更富于變化、更自由，但它仍然有自己的中心，而這一中心只要散文家才能最簡(jiǎn)潔地表達(dá)出來(lái)。文章可以濃縮，而散文不能，其風(fēng)格猶如一層絨毛，將作者的個(gè)性、獨(dú)創(chuàng)性和充滿激情的點(diǎn)點(diǎn)滴滴綴在散文上，如同毛衣上的絨毛，你無(wú)法將其刷平。散文屬于動(dòng)物王國(guó)，而雜志文章屬于植物王國(guó)。散文能擦出火花，又像一件毛皮大衣，而文章就像一件普通的棉衣。另一方面，散文不像小說(shuō)那樣層巒起伏，那是因?yàn)槲覀儾幌脒^(guò)多地糾纏于意義。散文家雖極其巧妙地隱藏著自己的真實(shí)意圖，不過(guò)，按照教學(xué)和講故事的傳統(tǒng)分野，他多少有點(diǎn)像個(gè)老師，像個(gè)變革者，用散文傳達(dá)了我們共同的心聲。
散文家并不受制于事實(shí)，也不需要將事實(shí)和盤托出，只要對(duì)闡述真實(shí)觀點(diǎn)有利，他可以對(duì)記憶靈活變通。個(gè)人散文通常不是自傳，不過(guò)，和自傳一樣，都借助格調(diào)和跌宕的情節(jié)發(fā)展，來(lái)表達(dá)作者的思想性。散文無(wú)拘無(wú)束，它跟思想或者思想的特性直接相連，正是借助了散文，思想的自由才得以舒展。因此，思想有多少魅力，散文就能多么迷人。
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